Sakai's rabbit samurai Usagi Yojimbo has been around since 1984, and this latest collection of the ongoing comic makes it easy to understand the character's longevity. Sakai has the ability to make stories instantly and universally accessible. Although the cartoony b&w art and the gimmick—anthropomorphic animal warriors adventuring in the legendary past of 17th-century Japan—would seem to be a set-up for saccharine or simplistic stories, the series has a grim edge. Death is always a possibility for Usagi. In the opening story, Showdown, he and his rhinoceros bounty hunter friend Gen arrive in a town where two rival gangs are terrorizing the townsfolk. Of course, the pair sets out to fix things, in a sting that finds them playing each side against the other. Usagi is brave but hardly infallible—even though they defeat both bosses, Usagi and Gen end up as penniless as they started out. In The Shrouded Moon, Usagi and Gen set out to aid a beautiful thief, a fox named Kitsune, in a dangerous mission. Despite the fantasy setting, the feudal world is scrupulously researched. Sakai's blending of words and pictures is utterly assured, and he uses his fun style to great effect. Like the best animated characters, Usagi and the rest of the cast is capable of a broad range of emotions. Blending classic storytelling, flawlessly designed art and lovingly researched period touches,
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Etter follows The Book of X with an explosive narrative of a woman coming undone as the world burns. Cassie, 33, toils for a cultlike tech startup, commuting by train from her Continue reading »Usagi Yojimbo (兎用心棒 , Usagi Yōjinbō , rabbit bodyguard) is a comic book series created by Stan Sakai. It is set primarily at the beginning of the Edo period of Japanese history and features anthropomorphic animals replacing humans. The main character is a rabbit rōnin, Miyamoto Usagi, whom Sakai based partially on the famous swordsman Miyamoto Musashi.
Usagi Yojimbo is heavily influced by Japanese cinema; it has included referces to the work of Akira Kurosawa (the title of the series is derived from Kurosawa's 1961 film Yojimbo), as well as to icons of popular Japanese cinema, such as Lone Wolf and Cub, Zatoichi, and Godzilla. The series is also influced somewhat by Groo the Wanderer by Sergio Aragonés (Sakai is the letterer for that series), but the overall tone of Usagi Yojimbo is more serious and reflective. The series follows the standard traditional Japanese naming-convtion for all featured characters: their family names followed by their giv names.
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The books are primarily episodic, with underlying larger plots which create long extded storylines—though there are some novel-lgth narratives. The stories include many referces to Japanese history and Japanese folklore, and sometimes include mythical creatures.
The architecture, clothes, weapons and other objects are drawn with a faithfulness to period style. There are oft stories whose purpose is to illustrate various elemts of Japanese arts and crafts, such as the fashioning of kites, swords, and pottery. Those efforts have be successful ough for the series to be awarded a Parts' Choice Award in 1990 for its educational value through Sakai's skillful weaving of facts and legds into his work.
Early positive reviews and an advertisemt in Bud Plant's Spring Catalog in 1985 helped propel the character's popularity. Stan Sakai accepted an offer to move his warrior rabbit to Fantagraphics Books where he appeared in several issues of the new anthropomorphic anthology series Critters.
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And was ranked 92nd in IGN's list of the top 100 comic book heroes. Rolling Stone named Usagi Yojimbo no. 43 in their '50 Best Non-Superhero Graphic Novels'.
Sakai originally planned for Usagi and other characters to be human in stories explicitly modeled after the life of Miyamoto Musashi. However, once as Sakai was idly doodling, he drew rabbit ears tied in a topknot on his proposed hero and was pleased by the distinctive image.
Usagi was first conceived as a supporting character in The Advtures of Nilson Groundthumper and Hermy, a brief series that predates Usagi Yojimbo.
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Sakai expanded on the idea of a rabbit samurai and his world took on an anthropomorphized cartoon nature, creating a fantasy setting which suited his dramatic needs with a unique look he thought could attract readers.
Usagi first appeared in the anthology Albedo Anthropomorphics in 1984, and later in the Fantagraphics Books anthropomorphic anthology Critters, before appearing in his own series in 1987.
The Usagi Yojimbo series has be published by four differt companies. The first publisher was Fantagraphics (volume one; 38 regular issues, plus one Summer Special and three Color Specials). The second was Mirage Comics (volume two; 16 issues). The third was Dark Horse Comics (volume three, 172 regular issues and two Color Specials), which also published the Sso miniseries (2015), The Art of Usagi Yojimbo: 20th Anniversary Edition (2004), and Usagi Yojimbo: 35 Years of Covers (2018), as well as republishing the Fantagraphics and Mirage series. The fourth is IDW Publishing, by which Usagi Yojimbo is still being published (volume four, more than 12 issues), and which is also republishing the Usagi Yojimbo portions of the Fantagraphics series as Usagi Yojimbo Color Classics. Another publisher, Radio Comix, published two issues of The Art of Usagi Yojimbo (1997–1998) which contained a selection of unpublished drawings, convtion sketches, and other miscellaneous Usagi Yojimbo artwork (including an original short story in the first issue).
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Because Usagi Yojimbo is a creator-owned comic and Sakai has complete and sole ownership of the character, Miyamoto Usagi has be able to appear in occasional short stories published by companies other than the one currtly publishing his series. Usagi has appeared in stories published by Cartoon Books, Oni Press, Sky Dog Press, Wizard Press, and most rectly in the befit book Drawing the Line, the proceeds of which wt to Princess Margaret Hospital and The Hospital for Sick Childr, both in Toronto, for cancer research.
Sakai has experimted with formats for Usagi Yojimbo, such as wh he published the color story Gre Persimmon first as twelve separate 2-page chapters serialized in Diamond Comic Distributor's monthly catalog Previews. He has also serialized two short stories in a comic strip format in the tabloid-size promotional publication Dark Horse Extra. Usagi Yojimbo stories have also be created as both single-page gag stories and as multi-issue epic advtures.
Usagi has also appeared several times in Teage Mutant Ninja Turtles (the comic, three of the animated series, and their respective toy lines), and the Turtles have appeared in Usagi Yojimbo as well. In the 1987 series, Usagi Yojimbo is incorrectly used as his actual name, but in the 2003 series, where he appeared far more frequtly, he was referred to correctly as Miyamoto Usagi. He was ev joined by G and other characters from his stories in his guest appearances in the 2003 series. Usagi's first appearance in the 2012 series was the fifth-season episode, Yojimbo, which was writt by Sakai. In his guest appearances, he is closest to Leonardo, both sharing the same ideals and code of ethics.
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In addition, Sakai created a limited spin off series called Space Usagi, who first appeared in Amazing Heroes 187. It featured characters similar to those in the original series, including a descdant of Miyamoto Usagi, but set in a futuristic setting that also emulated feudal Japan in political and stylistic ways. Three mini-series of three issues each and two short stories featuring the characters were produced. Sakai has ttative plans to produce a fourth Space Usagi miniseries, but nothing has be announced yet.
In the summer of 2014, Sakai, after a two-year hiatus, returned with a six-issue mini-series titled Usagi Yojimbo: Sso. Sso, Japanese for war, refers to The War of the Worlds, H. G. Wells's novel about Martians invading Earth. Sso tells the story of Martians invading Japan roughly twty years after the evts of the main series of Usagi Yojimbo, and also forms a plot bridge to the previously published Space Usagi.
On February 22 2019, The New York Times reported that IDW Publishing would prest a new monthly Usagi Yojimbo series, in color (provided by Tom Luth for the first time). The new series ops up with a short story arc about the Japanese puppetry art of bunraku. Additionally, new full-color collections of earlier issues are planned.
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Usagi first appeared in episodes 32 and 34 in the third season of the 1987 Teage Mutant Ninja Turtles animated series. He next appeared in episodes 23–26 in the second season of the 2003 Teage Mutant Ninja Turtles animated series for an interdimsional tournamt against the Turtles (along with G). He and G showed up again in episodes 1 and 22–23
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