Paramount bringt nach Ghost in the Shell eine weitere Manga-Verfilmung voran: Regisseur Justin Lin soll den Samurai-Klassiker Lone Wolf & Cub verfilmen.
Hollywood ist auf den Geschmack von Manga-Verfilmungen gekommen. Nach Ghost in the Shell und einigen weiteren geplanten Filmprojekten wie Alita: Battle Angel von James Cameron (Avatar) oder Your Name von J.J. Abrams (Star Wars) kommt nun auch Lone Wolf & Cub (Originaltitel Kozure Okami) hinzu.
Paramount plant schon seit einiger Zeit mit einem Realfilm nach der Samurai-Vorlage aus den 1970er Jahren. Nun konnte das Studio Regisseur Justin Lin (Fast & Furious 3-6, Star Trek Beyond) für das Filmprojekt begeistern, der auch gleich die Produktion übernehmen wird.
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Inzwischen ist auch ein Drehbuchautor gefunden: Andrew Kevin Walker wird die Vorlage zum Kinofilm schreiben, der schon die Drehbücher zu den düstern Filmen
Lone Wolf & Cub (Kozure Okami) von Kazuo Koike erschien zwischen 1970 und 1976 als mehrteiliges Manga und wurde bereits in Japan als Filmreihe und TV-Serie verfilmt.
Die Geschichte handelt von Itto Ogami, dem Scharfrichter des Shogun während der Edo-Zeit. Durch eine Intrige wird er des Verrats am Shogun beschuldigt. Seine Familie fällt einem Attentat zum Opfer, lediglich sein Sohn Daigoro kann überleben. Itto kann mit seinem kleinen Sohn fliehen und schwört auf Rache. Er ist ein ausgezeichneter Samurai-Kämpfer und Meister der Suio-Schwerttechnik.
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Wer nun für die Besetzung der US-Verfilmung in Frage kommt, steht noch nicht fest. Auch gibt es bisher noch keine konkreten Termine für den Drehstart oder einen Kinostart.
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Samurai Executioner Omnibus Volume 4: Koike, Kazuo, Kojima, Goseki: 9781616555672: Amazon.com: Books
Lone Wolf and Cub (Japanese: 子連れ狼 , Hepburn: Kozure Ōkami , Wolf taking along his child) is a Japanese manga series created by writer Kazuo Koike and artist Goseki Kojima. First published in 1970, the story was adapted into six films starring Tomisaburo Wakayama, four plays, and a television series starring Kinnosuke Yorozuya, and is widely recognized as an important and influtial work.
Lone Wolf and Cub chronicles the story of Ogami Ittō, the shōgun's executioner who uses a dōtanuki battle sword. Disgraced by false accusations from the Yagyū clan, he is forced to take the path of the assassin. Along with his three-year-old son, Daigorō, they seek revge on the Yagyū clan and are known as Lone Wolf and Cub.
Ogami Ittō, formidable warrior and a master of the suiō-ryū swordsmanship, serves as the Kogi Kaishakunin (the Shōgun's executioner), a position of high power in the Tokugawa shogunate during the 1700s.
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Along with the oniwaban and the assassins, Ogami Ittō is responsible for forcing the will of the shōgun over the daimyōs (lesser domain lords). For those samurai and lords ordered to commit seppuku, the Kogi Kaishakunin assists their deaths by decapitating them to relieve the agony of disembowelmt; in this role, he is titled and empowered to wear the hollyhock crest of the Tokugawa clan, in effect acting in place of the shōgun.
After Ogami Ittō's wife Azami gives birth to their son, Daigorō, Ogami Ittō returns to find her and all of their household brutally murdered, with only the newborn Daigorō surviving. The supposed culprits are three former retainers of an abolished clan, avging the execution of their lord by Ogami Ittō. However, the tire matter was planned by Ura-Yagyū (Shadow Yagyu) Yagyū Retsudō, leader of the Ura-Yagyū clan, in order to seize Ogami's post as part of a masterplan to control the three key positions of power: the spy system, the official assassins and the Shogunate Decapitator. During the initial incursion, an ihai (funeral tablet) with the shōgun's crest on it was placed inside the Ogami family shrine, signifying a supposed wish for the shogun's death. Wh the tablet is discovered during the murder investigation, its presce condemns Ittō as a traitor and thus he is forced to forfeit his post and is stced, along with Daigorō, to commit seppuku.
The one-year-old Daigorō is giv a choice by his father: a ball or a sword. If Daigorō chose the ball, his father would kill him to sd Daigorō to be with his mother; however, the child crawls toward the sword and reaches for its hilt; this assigns him the path of a rōnin. Refusing to kill themselves and fighting free from their house imprisonmt, father and son begin wandering the country as demons—the assassin-for-hire team that becomes known as Lone Wolf and Cub, vowing to destroy the Yagyū clan to avge Azami's death and Ittō's disgrace.
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On meifumadō (The Road to Hell), the cursed journey for vgeance, Ogami Ittō and Daigorō experice numerous advtures. They counter (and slay) all of Yagyū Retsudō's childr (both legitimate and illegitimate) along with the tire Kurokuwa ninja clan, evtually facing Retsudō himself. Wh Retsudō and the Yagyū clan are unable to kill Ittō, the shogunate officially proclaims him and Daigorō outlaws with a price on their heads, authorizing all clans to try and arrest/kill them and permitting anyone to go after them for the bounty. The last duel betwe Ogami Ittō and Yagyū Retsudō runs 178 pages—one of the longest single fight-sces ever published in comics.
Toward the d of their journey, Ogami Ittō's dōtanuki sword is surreptitiously tampered with and damaged by a supposed sword-polisher who is really an elite Grass ninja of the Yagyū clan. Wh Ittō is finally attacked by the last of the (kusa) Grass ninja, the sword breaks and Ittō receives wounds that are ultimately fatal. Deadlocked in mid-battle with Retsudō, Ittō's spirit leaves his body after years of fatigue and bloodshed, unable to destroy his longtime emy and ding his path of meifumadō.
The story finishes with Daigorō taking up Retsudō's brok spear and charging in fury. Retsudō ops his arms, disregarding all defse, and allows Daigorō to drive the spear into his body. Embracing Daigorō with tears, Retsudō names him grandson of my heart, closing the cycle of vgeance and hatred betwe the clans and concluding the epic.
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Many of the stories are writt in a non-chronological order, revealing differt parts of the narrative at differt times. For example, Ogami's betrayal is not revealed until the d of the first volume, after many stories have already passed.
In crafting a weakness for his protagonist (in order to make the story interesting), writer Kazuo Koike was inspired by the legdary Sigurd, who is made invulnerable by bathing a dragon's blood—except for where a leaf shields part of his back and retains his mortality. The character of Daigorō was created to satisfy this need.
Koike stated in an interview that he crafted the comic to be based upon the characters themselves and that the esstial tsion betwe [Ittō's] imperative to meet these challges while keeping his son with him on the journey drove the story.
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According to Koike, Having two characters as foils of each other is what sets things in motion and that If you have a strong character, the storyline will develop naturally, on its own.
Less than a year after the comic's debut, Tomisaburo Wakayama came to Koike to propose starring in the films, to which he immediately agreed.
According to Koike, he knew from the beginning that being killers themselves, both Ogami and Retsudō must die at the d, while Daigorō should survive. Both the producers of the 1970s television series and magazine publisher opposed this, so he had to d his story in his way without their permission.
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Wh Lone Wolf and Cub was first released in Japan in 1970, it became wildly popular for its powerful, epic samurai story and its stark and gruesome depiction of violce during Tokugawa era Japan. As of 2014, the manga had sold 8.3 million copies in Japan, and 11.8 million worldwide.
Lone Wolf and Cub is one of the most highly regarded manga due to its epic scope, detailed historical accuracy, masterful artwork and nostalgic recollection of the bushido ethos.
The story spans 28 volumes of manga, with over 300 pages each (totaling over 8, 700 pages in all). Many of the panels of the series are depictions of nature, historical locations in Japan, and traditional activities. A couple of years into the series, a story depicts the fate of Yamada Asaemon, the main character of Samurai Executioner, also created by Koike and Kojima.
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One reviewer notes that Asaemon looks differt in this appearance, appartly due to Ogami Ittō having be designed so similarly to the original Asaemon.
The monthly series of comic-book-sized issues featured covers by
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