Hundreds of new anime series come out every year, so it can be difficult to pick out which ones are actually worth watching. With each new anime season,
Tries to point fans to interesting new shows via seasonal previews. But it can be hard to judge a series by its cover — or at least by the first few episodes. Some of the best shows each year don’t always make it into those previews. To highlight all of the shows that stood out after a complete watch, we’ve assembled this list of the best new anime of 2019. While it won’t be entirely comprehensive — it only includes series we’ve watched and finished — everything on the list is something we can unequivocally recommend.
Shows on this list are based on the series / season of that series ending in 2019. So shows that started in 2018 (ie:
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A few years back, I wrote a list of recent shows that would be great for a newcomer to anime. The recommendations in it were divided by genre to point people toward avenues they already liked.
Has become the show I flatly recommend when asked for suggestions — a series so good it would get the same attention prestige dramas do, if only it were live-action.
For the animation studio behind the series, WIT, it feels like their capstone work for the decade. It demonstrates everything they learned from making action shows like
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Captures all of that experience and focuses it into a story full of memorable characters, amazingly animated action scenes, and great character drama in the midst of much bigger historical moments. If I had to pick a single best show of the decade, let alone the year, it would be hard not to choose
Science is a superpower, but it is never used as magic to handwave away something complicated. Instead it relishes in the details, and in the trial-and-error and hypothesizing. At its core, the show is actually about being a scientist: the importance of knowledge, of being inquisitive about the world, and of being ethical in what you use technology to do. It makes science fun by demonstrating how magical it can be, and then shows you how anybody can become a wizard.
Is a charming show that forgoes the idea of wish fulfillment. Most shows that feature characters reincarnated in fantasy worlds give them amazing, unique powers.
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Instead focuses on an adult librarian taking over the body of Myne, the sickly five-year-old daughter of a poor city guard. It becomes more about the everyday struggles of Myne and her family as she uses her knowledge from our world to try and make books, but also improve the lives of her family and friends without arousing suspicion that she isn’t the real Myne. It’s a show that is ideal for the whole family, or as a way to relax. Even in its most stressful moments,
It isn’t rare for the anime version of a manga to elevate the source material, as adaptations often rewrite characters or moments of the story with better foresight about later developments. And the addition of sound and animation can expand on and enhance moments in ways just not possible in the comic form. What’s rare about
’s adaptation is the consistency with which the animation and voice acting enhances the work, not just for specific important scenes, but every episode.
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The spectacular action scenes are most noticeable — they’re stylish and easy to follow, even when seemingly impossible things are occurring. In smaller, subtler moments, the animation and voice acting breathe life into the characters and make them more endearing. The best example of this is the way protagonist and titular demon slayer Tanjiro looks genuinely sad when killing a demon. He has genuine pity for them, even though they’re terrible, irredeemable monsters. He has to continue to humanize them, so he can justify continuing to travel with his now-demon sister, looking to cure her. Small characterizations like this speak volumes by making the spectacular climactic moments more emotionally meaningful.
A girl starts living with two cousins who both turn into different animals from the Chinese zodiac when hugged by someone of the opposite sex — makes it sound like a comedy romance series in the vein of
Isn’t so lighthearted. It’s more of an emotional gut-punch, episode after episode, as it reveals the terrible things that have happened to each of the characters. They’re never quite what you expect them to be.
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But the show isn’t all sadness. It’s an amazingly hopeful story about finding acceptance, finding a family, and working through issues — not with quick solutions, but through sustained care. It finds a great balance between drama, romance, and comedy, which makes those devastating moments land particularly hard.
Is stressful, hilarious, awkward, heartwarming, melodramatic, cringeworthy, and absolutely brilliant. The show follows the five girls of a high school literature club as they collectively start thinking about sex and adult relationships for the first time. They’re all individually attempting to figure out their feelings and sexuality, and their stories interconnect as they collectively support (and sometimes impede) each other.
In some ways is similar to a show like Pen15, except without the focus on nostalgia and cringe humor. Instead, the show goes for drama with dashes of comedy. It ranges from more lighthearted, cute romantic fare to frank discussions and storylines about queer romance, teen pregnancy, and possibly inappropriate (and sometimes
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Inappropriate) relationships with adults. It’s a testament to the writing that it manages to deftly navigate tricky subject matter without being problematic or preachy.
Is a show about Karou, a young single office worker, and the strange lazy bear Rilakkuma who comes to live in her apartment. While Rilakkuma is something of a freeloader, he effectively earns his place in the apartment by teaching Kaoru how to relax from the stresses of her work and relative lack of social life, by finding enjoyment in everyday things. That makes it an incredibly relaxing show. And the amazing stop-motion animation work adds a charming tactility. Most of it is physically real, which makes it marvelously smooth and lively.
Feels as though there wasn’t a three-year break after the first season. The show continues to be an amazing animation showcase, and watching it often feels like the animators at Bones, the studio that animated both seasons, are showing off and having a lot of fun with what they get to draw. But what makes both seasons great is the sense of humor and heart on display.
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This new season goes to some darker places than the first season. It’s less focused on testing the incredible psychic powers of middle-schooler Mob and more focused on testing his empathy and maturity as he grows up and becomes a person rather than an ultra-powerful psychic force of nature. Even with the darker tone and themes, a wonderful sense of absurdity and humor still grounds the whole series and keeps it from losing its relatability.
Some anime series start off with such strange conceits that they either completely put the audience off or become utterly captivating to understand.
Is that sort of show. It follows three middle school boys who get turned into mythical creatures called kappas. They’ll only become human again if they steal a fictional desire-organ from inside the butt of a spirit monster that’s magically stealing items from the city to serve an evil empire of otters.
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The real crux of the show, which is hidden beneath all the strange kappa and otter mythological imagery, is personal and human. It’s about exploring the ways we connect with those around us and what those connections mean. It’s a great follow-up for fans who watched
When it hit Netflix and are looking for something conceptually similar. But despite how weird it can get with all the kappa butt stuff, anyone could enjoy this show. It’ll likely be talked about for years to come, not just for the writing, but for the animation as well.
Feels like it’s writing a check it has no chance of being able to cash. It seems unlikely we’ll get any significant character development for the 10 different main characters, and their transition from not even amateur runners to one of the top college-marathon teams in Japan seems like it would be fantastical at worst and dubious at best.
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Yet, over the course of its 23 episodes, the series presents a convincing story by being less about the sport than about these college students figuring out their lives in the present and future. The running acts as a constant that forces them all to interact, confronting issues in their lives while coming together as a group. This all climaxes in the show’s final episodes: as they run their section of a competitive two-day relay, they reflect on everything that’s happened. The ending only works because of how much the audience knows and cares about the characters, having seen so much of what they’ve gone through.
’s anime adaption is incredibly faithful, but it’s also a fascinating interpretation of the source material about the oldest kids at a secluded
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