Horror Genre Manga

Is often attributed to American author Stephen King without any argument. Turn your eyes to Japan, however, and you’ll discover a writer and artist capable of injecting a far more potent amount of fear into his readers’ veins. Junji Ito is a

Who understands phobias, existential anxieties, and the terror of the unknown better than any other horror writer on Earth. Combining a deft artist’s eye with a boundless and terrifying imagination, Junji Ito stands head and shoulders above every other horror writer around.

Born in 1963 in Gifu prefecture, Junji Ito is Japan’s most successful and lauded horror writer. What makes Ito unique in the horror world is that he isn’t a novelist or a short story writer in the traditional sense; he’s a mangaka. His horror stories, both short and long, are all written and drawn with a surreal, off-kilter, otherworldly eeriness.

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Ito’s debut story, written when he was only 24 years old, was Tomie, a series of stories about a young woman who defies death and ageing. Over and again, Tomie drives the men who fall for her into madness. Despite its success, Tomie did not project him into the world of famous writers and artists immediately, as Ito worked for several years as a dental technician. Eventually, though, Ito left his almost comically bland career (especially considering how he is known today) behind and Tomie proved to be the beginning of a phenomenal career as Junji Ito steadily made a greater and greater name for himself as the king of terror, not only in Japan but across the world.

Ito has cited his largest influences as Kazuo Umezu and Hideshi Hino, as well as legendary American writer and creator of the

Genre, H.P. Lovecraft. Kazuo Umezu is one of the great horror mangaka, responsible for the creation of celebrated manga Orochi: Blood. Hideshi Hino is another mangaka as well as a film director. His most celebrated manga is Hell Baby and his horror movies, known as the Guinea Pig films, are a series of six controversial horror films.

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As for the legacy that Ito has carved out for himself, it’s a rather colossal one. In interviews, Ito comes across as a mild-mannered, calm, charming, and sweet man who exists in remarkable contrast to the themes and content of his art and stories.

What sets Ito apart from other horror writers is a one-two punch: his ideas and his execution. It’s in his short stories where we best see both of these unique Ito qualities. Junji Ito is a master of body horror, of suspense, and of otherworldly supernatural wrongness. Ito very much understands that the quickest way to spoil tension and mystery is to give the mystery away, and so he never does. His stories often begin in normality, descend into madness of a supernatural, monstrous kind, and are never resolved, leaving the shivers running up and down your spine long after the story ends.

Ito’s ideas often come from ordinary fears, both physical and existential: the unknown depths of the ocean, claustrophobia, the fear of being watched. Or they come from small discomforts like a sweaty mattress. From there, he expands on these little sparks and turns them into wildfires of deadly and terrifying proportions. And it’s in Ito’s art that we really feel this terror. Ito has an uncanny ability to draw human eyes. In the moments where nothing supernatural has yet happened, a shiver of discomfort can be felt when looking at the eyes of Ito’s protagonists. And when the supernatural really hits, it does so in grotesque and uncomfortable detail. Ito understands the human body and is able to disfigure it greatly or twist it ever so slightly as to deliver enormous shocks or to drop the reader into the uncanny valley, there leaving them with an itchy tingle of discomfort at the sight of his monsters and nasty creations.

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Sometimes there is no great cosmic horror in Ito’s stories. Sometimes they are simply impossible mysteries that are explored but never solved. The mind of Junji Ito is an incredible thing, matched by his ability to perfectly convey through his art the concepts he dreams up. This is what makes him the best horror writer in the business.

There are a lot of Junji Ito books. His longer horror stories – Tomie, Uzumaki, and Gyo – are each available as solo books. Then there’s his phenomenal adaptation of Frankenstein, which is perhaps the best adaptation of Shelley’s original novel that’s ever been made. Finally, there’s a wide selection of short stories. Junji Ito’s short stories do the best job of showcasing the diversity of horror in his ideas, his writing, and his art skills, and they can be found in collections: Shiver, Fragments of Horror, and Smashed, as well as featuring as bonus stories in the previously mentioned full-length books.

Here are the 10 Junji Ito short stories that most exemplify the breadth of his talent and the real horror that lies at the heart of his words and his artwork.

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Hanging Blimp (found in Shiver) is Ito’s eerie and chilling storytelling skills at their absolute peak. While his art is praised most often for its body horror quality, Hanging Blimp is what most expertly shows off his plotting and the strength of his mental forge.

In this short story, ominous and enormous balloons – in the shape and façade of real people’s faces – appear floating across the sky over the entire country. Their gaunt and fearful but unchanging expressions, coupled with the mystery of what they are and where they came from, makes for a petrifying premise that’s only worsened when it becomes clear that the balloons are hunting down the people they resemble, and hanging from each balloon is a noose.

This is another short story (found as a bonus chapter in Gyo) that lacks the quintessential body horror stamp of Junji Ito. Instead, it’s a terror masterpiece that relies on mystery, intrigue, and a slow-burning plot to lure the reader in.

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A recent earthquake has shifted the earth and raised a long strip of rock at the base of a mountain. Along this newly unearthed rock is a series of holes that disappear into the mountain. But these holes are human-shaped, carved by people unknown and hidden in the earth for what surely must be thousands of years. And yet, people are being drawn to this phenomenon once they find what they believe to be their hole – a hole that fits them and only them.

Now here is some imaginative and original body horror by our master of terror. The Long Dream (found in Shiver) tells the story of a man in a hospital bed who lives years – sometimes entire lives – every time he sleeps. When he wakes up, the time he spent in the dream is worn on his skin and his body slowly degrades and morphs into something alien and frightening. There’s nothing threatening in this story – no monster or otherworldly creature – only a man who slowly succumbs to eternal dreams and wakes up to find his body sunken and immobile. This is what makes The Long Dream one of the most harrowing and haunting Ito stories, while also being so cleverly static.

An ominous title like this can only lead to one of Ito’s best short stories. And it does. Ito is at his very best when he recognised a specific innate fear or phobia and runs with a horror idea based on that fear. What makes this story shine is that it’s bigger than a simple phobia: The Thing That Drifted Ashore (found in the Slug Girl collection) taps into our discomfort when considering the infinite size and depth of our dark oceans – how close they are and yet how unknown. It also uses Ito’s signature aesthetics to design a truly disturbing creature that never looks too far beyond the realm of possibility. That’s what’s truly frightening: this thing could exist, it could be out there, and it could do what it does in this terrifying story.

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Greased (found in Shiver) is, perhaps, Junji Ito’s most disgusting story. It was inspired by the discomfort he himself went through when studying at a dental school. While there, he had to sleep on a futon that had been stained brown from the sweat of former students. From sweat came oil and from oil came zits. And so, this story was born! In it, a young girl and her brother live above their father’s yakiniku restaurant which has slowly and steadily covered the interior of the house with grease and filled it with oily fumes. It’s a story of sibling rivalry soaked in grease: truly, one of the most unpleasant and squeamish stories you can imagine reading. And with the attention to detail Ito brings to his art, some of the panels can leave you feeling incredibly nauseous.

One of Ito’s most famous single panels is that of a tall, thin, middle-aged woman with a long head and a monstrous mouth. She is the titular fashion model of this story

Posted by Hamburg Citiez

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