Is a Japanese manga series writt and illustrated by Nobuhiro Watsuki. The story begins during the 11th year of the Meiji period in Japan (1878) and follows a former assassin from the Bakumatsu, known as Hitokiri Battosai. After his work against the bakufu, Hitokiri Battosai disappears to become Himura Kshin: a wandering swordsman who protects the people of Japan with a vow never to take another life. Watsuki wrote the series upon his desire to make a shōn manga differt from the other ones that were published at the time, with Kshin being a former assassin and the story taking a more serious tone as it continued. The manga revolves around themes of atonemt, peace, and romance.
The manga was serialized in Shueisha's Weekly Shōn Jump magazine from April 1994 to September 1999. The complete work consists of 28 tankōbon volumes, while years later it was reprinted into 22 kanzban volumes. Studio Gallop, Studio De and SPE Visual Works adapted the manga into an anime television series, which aired in Japan from January 1996 to September 1998. Besides an animated feature film, two series of original video animations (OVAs) were also produced. The first adapted stories from the manga that were not featured in the anime, while the second was a sequel to the manga. Several art and guidebooks for Rurouni Kshin have be published, and writer Kaoru Shizuka has authored three official light novels which were published by Shueisha. Many video games have also be released for the PlayStation, PlayStation 2, and PlayStation Portable consoles. A series of five live-action theatrical films adaptations were released from 2012 to 2021. A second anime television series adaptation by Lid Films is set to premiere in July 2023.
The manga, as well as the first light novel and first guidebook, has received a complete North American release by Viz Media. Rurouni Kshin is subtitled Wandering Samurai in some glish versions.
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The Rurouni Kshin manga has over 72 million copies in circulation as of 2019, making it one of the best-selling manga series. The series has received praise from various publications for manga, anime and other media, with both having received a good response on the characters' designs and historical setting. In 2017, Watsuki began a direct sequel titled Rurouni Kshin: The Hokkaido Arc in Jump Square.
In the early Meiji era, after participating in the Boshin War as the assassin Hitokiri Battōsai, Himura Kshin wanders the countryside of Japan with a reverse blade katana. He is offering protection and aid to those in need as atonemt for the murders he once committed. Wh arriving in Tokyo in the 11th year of Meiji (1878), he meets a young woman named Kamiya Kaoru, who is in the middle of a fight with a murderer - who claims to be the Hitokiri Battōsai - tarnishing the name of the swordsmanship school that she teaches. Kshin decides to help her and defeats the fake Battōsai. After discovering that Kshin is the real infamous assassin, Kaoru offers him a place to stay at her dojo, noting that he is peace-loving and not cold-hearted, as his reputation implies. Kshin accepts and begins to establish lifelong relationships with many people such as Sagara Sanosuke, a former Sekihō Army member; Myōjin Yahiko, an orphan from a samurai family who is also living with Kaoru as her studt; and a doctor named Takani Megumi, caught in the opium trade. However, he also deals with his fair share of emies, new and old, including the former leader of the Oniwabanshū, Shinomori Aoshi.
After several months of living in the dojo, Kshin faces a rival from the Bakumatsu turned police officer, Saitō Hajime. This challge turns out to be a test to face his successor, Shishio Makoto, who plans to conquer Japan by destroying the Meiji Governmt, starting with Kyoto. Feeling that Shishio's faction may attack his frids, Kshin meets Shishio alone to defeat him. However, many of his frids, including a young Oniwabanshū named Makimachi Misao, whom he meets in his travels, decide to help him in his fight. After his first meeting with him, Kshin realizes he needs to get stronger to defeat Shishio without becoming the cold assassin he was in the past and returns to the man who taught him kjutsu, Hiko Seijūrō, to learn the school's final technique. He finally accepts his frids' help and defeats Shishio in a close fight. After that, Shishio dies burning to ashes after passing the limit of his abnormal body condition. A reformed Shinomori stays in Kyoto with the surviving Oniwabanshū.
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Wh Kshin and his frids return to Tokyo, he finds Yukishiro ishi, who plans to act revge. At this point, it is revealed that, during the Bakumatsu, Kshin was to be married to a woman named Yukishiro Tomoe. She had initially wanted to avge the death of her first fiancé, whom Kshin had assassinated, but instead, they both fell in love, and she got proposed to. It is evtually revealed that Tomoe was related to Edo guards who wanted to kill Kshin. They outwitted Tomoe after realizing her deception first and captured her to use as bait. Kshin rushed to the rescue. Although the ambushers managed to injure him severely, Kshin managed to kill almost all of them and moved on. Th, in the final fight against the group leader, Kshin accidtally kills Tomoe, who jumps in at the last second to help Kshin create an oping to win the battle. Wanting to take revge for the death of his sister, ishi kidnaps Kaoru and leaves behind a corpse doll bearing a stunning resemblance of her for Kshin to find and momtarily grieve over. Once discovering that Kaoru is alive, Kshin and his frids set out to rescue her. A final battle betwe Kshin and ishi follows, and the former assassin emerges as the victor. Misao brings Tomoe's diary to ishi who keeps it in a village to hide alongside his missing father.
Four years later, Kshin has married Kaoru and has a son named Himura Kji. Now at peace with himself, Kshin gives his reverse-blade sword to Yahiko as a ceremonial gift.
A prototype series titled Rurouni: Meiji Swordsman Romantic Story appeared as a pair of separate short stories published in 1992 and 1993.
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The first story, published in December 1992 in the Weekly Shōn Jump Winter Special issue of 1993, featured an earlier version of Kshin stopping a crime lord from taking over the Kamiya family dojo. Watsuki described the first Rurouni story, echoing the Megumi Arc, as a pilot for Rurouni Kshin. According to Watsuki, the final Rurouni Kshin series was not composed tirely of his free will. Describing the creation of historical stories as hard, Watsuki initially wanted to make his next series in a contemporary setting. An editor approached Watsuki and asked him to make a new historical story. With the historical concept, Watsuki intded to use the Bakumatsu period from Moeyo K (Burn, O Sword) with a story akin to Sanshiro Sugata. Watsuki experimted with various titles, including Nishin (Two-Hearts) Kshin, Yorozuya (Jack-of-All-Trades) Kshin, and variations of Rurouni and Kshin with differt kanji in that order.
The second Rurouni story, published in April 1993 in the Weekly Shōn Jump 21–22 double issue of that year, featured Kshin helping a wealthy girl named Raikōji Chizuru. Watsuki recalled expericing difficulty wh condsing everything into 31 pages for that story. He said that he put all [his] soul into it but sighs wh looking at it from his perspective after the publication of the Rurouni Kshin Volume 1 graphic novel in Japan. Watsuki describes that second Rurouni: Meiji Swordsman Romantic Story as receiving mediocre reviews and about two hundred letters.
The design model for Hiko Seijuro, Kshin's master, in Rurouni Kshin is the character of the same name from his one-shot manga Cresct Moon of the Warring States, but Watsuki also added some influces from Hik Majin Hajerun in Takeshi Obata's Arabian Lamp-Lamp. At the time, Watsuki said that he was fascinated by images of manliness and that Hiko is one of the first characters to reflect this fascination.
Rurouni Kenshin Anime Wallpapers
Since Watsuki's debut work contained a tall, black-haired man in showy armor, he wanted to make a character completely opposite to the debut character; the new character ded up coming out like a girl. According to Watsuki, he used no real motif wh creating Kshin and placed a cross-shaped scar on his face not knowing what else to do. Like several characters, Kshin was influced the Shinsgumi with Kshin being affected by Okita Sōji and Saitō Hajime in order to give him an air of mystery.
The final sce of the Kyoto arc was influced by the animated adaptation due to its focus of the wanderer Kshin being accepted in Kaoru's dojo.
During his childhood, Watsuki used to practice kdo, which influced his making of the series. Although Watsuki developed various one-shots before the official serialization from the series. While naming the characters, he based some of their names from places he used to live such a Makimachi Misaos's Makimachi
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The first story, published in December 1992 in the Weekly Shōn Jump Winter Special issue of 1993, featured an earlier version of Kshin stopping a crime lord from taking over the Kamiya family dojo. Watsuki described the first Rurouni story, echoing the Megumi Arc, as a pilot for Rurouni Kshin. According to Watsuki, the final Rurouni Kshin series was not composed tirely of his free will. Describing the creation of historical stories as hard, Watsuki initially wanted to make his next series in a contemporary setting. An editor approached Watsuki and asked him to make a new historical story. With the historical concept, Watsuki intded to use the Bakumatsu period from Moeyo K (Burn, O Sword) with a story akin to Sanshiro Sugata. Watsuki experimted with various titles, including Nishin (Two-Hearts) Kshin, Yorozuya (Jack-of-All-Trades) Kshin, and variations of Rurouni and Kshin with differt kanji in that order.
The second Rurouni story, published in April 1993 in the Weekly Shōn Jump 21–22 double issue of that year, featured Kshin helping a wealthy girl named Raikōji Chizuru. Watsuki recalled expericing difficulty wh condsing everything into 31 pages for that story. He said that he put all [his] soul into it but sighs wh looking at it from his perspective after the publication of the Rurouni Kshin Volume 1 graphic novel in Japan. Watsuki describes that second Rurouni: Meiji Swordsman Romantic Story as receiving mediocre reviews and about two hundred letters.
The design model for Hiko Seijuro, Kshin's master, in Rurouni Kshin is the character of the same name from his one-shot manga Cresct Moon of the Warring States, but Watsuki also added some influces from Hik Majin Hajerun in Takeshi Obata's Arabian Lamp-Lamp. At the time, Watsuki said that he was fascinated by images of manliness and that Hiko is one of the first characters to reflect this fascination.
Rurouni Kenshin Anime Wallpapers
Since Watsuki's debut work contained a tall, black-haired man in showy armor, he wanted to make a character completely opposite to the debut character; the new character ded up coming out like a girl. According to Watsuki, he used no real motif wh creating Kshin and placed a cross-shaped scar on his face not knowing what else to do. Like several characters, Kshin was influced the Shinsgumi with Kshin being affected by Okita Sōji and Saitō Hajime in order to give him an air of mystery.
The final sce of the Kyoto arc was influced by the animated adaptation due to its focus of the wanderer Kshin being accepted in Kaoru's dojo.
During his childhood, Watsuki used to practice kdo, which influced his making of the series. Although Watsuki developed various one-shots before the official serialization from the series. While naming the characters, he based some of their names from places he used to live such a Makimachi Misaos's Makimachi
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