Re:Zero − Starting Life in Another World (Japanese: Re:ゼロから始める異世界生活 , Hepburn: Re:Zero kara Hajimeru Isekai Seikatsu ), oft referred to simply as Re:Zero and also known as Re: Life in a differt world from zero,
Is a Japanese light novel series writt by Tappei Nagatsuki and illustrated by Shin'ichirō Ōtsuka. The story cters on Subaru Natsuki, a hikikomori who suddly finds himself transported to another world on his way home from the convice store. The series was initially serialized on the website Shōsetsuka ni Narō from 2012 onwards. Thirty-three light novels, as well as five side story volumes and eight short story collections have be published by Media Factory under their MF Bunko J imprint.
The series' first three arcs have be adapted into separate manga series. The first, by Daichi Matsue, was published betwe June 2014 and March 2015. The second, by Makoto Fugetsu, has be published by Square ix since October 2014. Matsue launched the third adaptation, also published by Media Factory, in May 2015. Additionally, Media Factory has published two anthology manga with stories by differt artists. An anime television series adaptation produced by White Fox aired from April to September 2016, starting with an hour-long special. Two original video animation (OVA) episodes were released in October 2018 and November 2019. In March 2017, game developer 5pb. released a visual novel based on the series. A second season aired in a split-cour format, with the first half airing from July to September 2020, and the second half airing from January to March 2021. A third season has be announced.
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The novels and all three manga adaptations are published in North America by Y Press. The anime adaptation has be licsed by Crunchyroll outside Asia, which released the anime on home video through Funimation in the United States and Anime Limited in the United Kingdom. In Southeast Asia and South Asia, the series is licsed by Muse Communication.
The overall series (light novel and manga adaptations volumes) had over 13 million copies in circulation by March 2023 (including digital versions), while the anime series has sold more than 70, 000 copies on home video. The light novels have be praised for their fresh take on the another world concept, but have be criticized for awkward dialogue and redundancy. The series has be praised by critics for its fleshed-out characters, complex world and lore, and thought-provoking topics and themes. The series received awards at the 2015–2016 Newtype Anime Awards and the 2017 Sugoi Japan Awards, and was nominated for Anime of the Year at the 1st Crunchyroll Anime Awards.
Subaru Natsuki is a NEET who is suddly summoned to a fantasy-like world. Just after arriving, he is killed while trying to help a young half-elf he befrids, Emilia, who is a candidate to become the next ruler of the Kingdom of Lugunica, only to revive some hours in the past. After dying some times, Subaru realizes that he has the power to turn back time after his death. After successfully helping Emilia, Subaru starts living in one of the Mansions of the Roswaal Mathers as a butler. Out of gratitude and affection for Emilia, Subaru makes use of his newfound ability to protect her and help on her ambition to be successfully appointed as the next que, also providing assistance to other frids he makes along the way, while suffering due to the pain inflicted on him every time he dies, and carrying along the memories of everything that happed before his power activates, which is forgott by everybody except for him.
Re:zero / Nightmare Fuel
In the late 2000s, the light novel series The Familiar of Zero (Zero no Tsukaima) spawned a number of fan fiction on the website Shōsetsuka ni Narō (Let's Become Novelists), also known as Narō. Tappei Nagatsuki initially began writing The Familiar of Zero fan fiction on Narō, before building on its isekai (other world) concept to write his own original web novel series on Narō, called Re:Zero, which began serialization in 2012.
The series' editor at MF Bunko J, Masahito Ikemoto, first became aware of the web novel in April 2013, wh it began to appear on his Twitter feed.
He was immediately impressed by the series' use of Return by Death, and how it was a depressing, yet surprising, twist on the fantasy gre, and began working with Nagatsuki to adapt the series into a light novel.
Re:zero Starting Life In Another World Chapter 1 A Day In The Capital Manga Volume
Most light novels are around 250 pages in lgth, but Nagatsuki submitted a manuscript of more than 1, 000 pages for the first novel, forcing Ikemoto to edit it heavily.
While Nagatsuki wanted to gage in worldbuilding early on, Ikemoto felt that it was more necessary to make the readers feel gaged with the characters. He ded up rearranging the story so that parts focusing on the world and its lore were pushed back to the third arc of the series.
Prior to his involvemt in Re:Zero, illustrator Shin'ichirō Ōtsuka worked on video games, which led him to draw the backgrounds first wh illustrating the series.
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Leading Ikemoto to request that the character be more fridly and less fierce so that the audice could empathize with him during emotional sces.
Rem and Ram also underwt significant changes from the first draft: their original designs lacked the characteristic hair parts, and their maid uniforms were longer and more traditional.
The possibility of an anime adaptation came up early in the developmt of the series; Shō Tanaka, a producer at Kadokawa, asked Ikemoto about properties which might ld themselves to being animated, and Ikemoto recommded that Tanaka read Nagatsuki's web novels.
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Despite an initial miscommunication which led to Ikemoto believing that Tanaka wasn't interested, talks of adapting the series began soon after the web novels began the transition to print.
As part of talks for the pottial anime adaptation, Ikemoto and Tanaka spoke to Tsunaki Yoshikawa, an animation producer at studio White Fox, about the possibility of his studio animating the series.
Hoping to adapt the series into an anime similar to Steins;Gate (which White Fox also produced), and having a positive impression of the studio as one that did faithful adaptations, Tanaka th formally approached them about producing the show. White Fox's presidt contacted Yoshikawa for his opinion, and Yoshikawa recommded they accept, as long as the series doesn't violate any broadcasting regulations.
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Masaharu Watanabe was chos by Yoshikawa to direct the series because he had previously worked for the studio doing key animation, while Kyūta Sakai was chos to be the series' character designer and chief animation director because Yoshikawa felt that she would be able to do the novel's art justice whilst maintaining a consistt animation quality throughout the series' 25-episode run.
Masahiro Yokotani was brought on board as the main writer, with the series being his first time composing for a reborn in another world-type story.
Yoshikawa warned him about the violce in the series, but Yokotani was still surprised by the violt and disturbing sces in novels three and beyond, having only read the first novel wh he agreed to work on the project; he delegated the script writing of those episodes in the second cour to the other two scriptwriters.
Rem, Emilia, Ram, Natsuki Subaru, And Puck (re:zero Kara Hajimeru Isekai Seikatsu And 1 More) Drawn By Sakai_kyuuta
Yoshiko Nakamura joined the project sometime after Yokotani had completed the script for episode 3. Wh it proved unfeasible for Yokotani and Nakamura to write the scripts alone, the decision was made to bring another scriptwriter on board. Gaku Iwasa, the presidt of White Fox, asked them to hire someone younger, leading Yokotani to suggest Eiji Umehara. Nagatsuki had rectly be playing Chaos;Child, which Umehara had writt for, and he approved the choice, suggesting that they let Umehara write the painful parts; Umehara was invited to join the project around the time that the scripts for episodes 8 and 9 were being writt.
Wh the staff would counter a problem with a sce, he would occasionally write lines for them to use as referce while writing the script.
The series was not initially intded to have 25 episodes, but was extded to give more time to the battle with the White Whale (which was expanded from two to three episodes) and to the contt of episode 18 (episodes 16 to 18 were originally supposed to be covered in two episodes).
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The scriptwriters had discussions about how to compress the dse source material without losing the ctral elemts of the story, and Nakamura recalls working with composition notes that wt on for pages.
While planning and scripting the anime, choosing a proper conclusion was one of the most difficult parts for the staff, and a significant amount of time was devoted to choosing what to cover in the final episode,
After joining the project, both Nakamura and Umehara had to adjust their views of the main character, and were forced to rewrite sces where they had made Subaru appear cool. At Watanabe's direction, Nakamura was made to rewrite Subaru's telling of The Red Ogre Who Cried in episode 6 multiple times.
Re:zero Starting Life In Another World 2
The staff also had difficulty deciding on a song to use for Subaru's ringtone that plays during the closing sce of episode 19, considering songs like Kanpaku Sg,
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