Is a dense brick of a magazine, that has barely paused for breath since its founding in 1968. In its half a century of publishing, it has sold 7.5 billion copies. Picking up a
Or any of its many competitors in a store, you’ll immediately notice how thick these magazines are—so much so they are sometimes called phonebook manga.
The sheer amount of work required to meet fast turnarounds and hungry readerships make mangaka (manga artists) admirable, but creating manga goes far beyond speed. Manga features thrilling action, comedy, romance, and commentary about modern life, told through illustrated panels and dialogue. Every page is packed with detail for readers to get lost in.
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For informal or whimsical (漫 man) and the one for drawing (画 ga). Thought to date back to scrolls of the twelfth and thirteenth centuries, the medium began with depictions of anthropomorphic animals and cartoon-y exaggerations of daily life.
Print) began to compile short stories and sketches into books he called manga, but it was Rakuten Kitazawa (1876-1955) who made the term in its modern usage popular. He had studied Western-style cartoons and founded his own magazine, which sold throughout Asia and influenced many other artists.
The American occupation of Japan following World War II had a huge impact on the cartooning industry, and in 1945 the “father of manga”, Osamu Tezuka, established it as a modern entertainment industry. Hoping to share a message of peace with his readers, his comics
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The industry boomed, with many magazines founded in the fifties, sixties, and seventies, spawning subcategories for different age groups. Examples include shōnen manga, aimed at boys up to around eighteen, and seinen for adult men, both of which tend to feature action, comedy, heroism, and adventure.
Meanwhile, the market aimed at girls, shōjo (josei for women), features coming-of-age, historical, and romantic stories. They often challenge gender stereotypes, and sometimes feature LGBTQ+ relationships (the specific subset about two male characters in a relationship was called shōnen-ai, and was pioneered by artists like Moto Hagio).
There are so many important mangaka across all genres, it’s impossible to produce a definitive list that isn’t hundreds of artists long! But our selection below features everything from magical girls to gory horror to cyberpunk masterworks, showing the enormous diversity of popular manga.
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Is considered the best manga ever written, due to its modern approach to dialogue, plot, and characters. The speculative, cyberpunk story has won numerous awards. Its creator, Katsuhiro Otomo, a lover of American films, published it in 1982. It was an immediate success, celebrated for its beautiful backgrounds and panoramic views of Neo-Tokyo.
Was serialized in the late nineties, but today has 36 million copies of its compended volumes in circulation. Its story about a cult leader called “Friend”, and the young men out to stop him, has won many huge awards including the Kodansha Award and an Eisner. The themes of dealing with a haunting childhood past, and fighting conspiracies, has an ongoing, deep impact.
Hiroya Oku created one of the best bloody sci-fi action stories in manga history. Visually it's described as a work of art for its technical mastery, as Oku does a fantastic job of using 3D renders to create a seamless look throughout his world, not forgetting the attention to detail, down to every blemish or speckle of blood.
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Is one of the most well-known manga franchises, and is also noteworthy for Arakawa’s move into the male-dominated shōnen space. This steampunk tale of two brothers whose forays into alchemy have disastrous consequences, is set in a parallel Europe during an industrial revolution. Despite tackling serious commentary with themes of war and family, the award-winning series is punctuated by comedy.
Makoto Yukimura created this gory manga with a high level of realism and precision. He had to move his weekly edition to monthly in order to include as much detail as possible. The results are so intricate and impressive that it won the 2009 Grand Prize at the Japan Media Arts Festival.
The only collective on this list, CLAMP is made up of four female artists who have published across shōnen and shōjo genres: Nanase Ohkawa, Mokona, Tsubaki Nekoi, and Satsuki Igarashi. Though known for their sci-fi series
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. This take on the magical girl trope featured coming-of-age themes, and was turned into an anime and subsequent films and games. It’s noted for its cute character and costume design.
This comedic action title features detailed art, clever writing, and sharp drawings. Murata is a pillar of the new generation of Japanese artists because of his work with color, lines, details, technique, his character design and the ease with which he matches each line with the storytelling. His talent has led him to collaborate with Capcom, Marvel, and Pokémon.
From a young age, Junji Ito was inspired by his older sister's drawings and Kazuo Umezu's comics, which led to a strong interest in writing horror stories.
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, as well as the rest of Ito's work, is wonderfully horrible. Terrifying yet fascinating, the art itself is key to building dread and keeps the reader in constant tension, before climactic reveals at the end of his stories.
Inio Asano is recognized for his realistic stories that range from romance to psychological horror. In 2001, he won first prize in the GX competition for young manga artists; the
Is a story about adolescence and the grim realities of transitioning to adulthood; his art establishes a dense, realistic atmosphere that presents various emotions through different aesthetics.
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) became influential worldwide, spawning a popular anime series, and both animated and live-action productions. Another magical girl story, a sensitive teen is forced into the world of heroics through her connections to an ancient, magical civilization on the Moon. Takeuchi’s artwork is striking in its depiction of fairy-like, ethereal characters, with very light, delicate linework.
Has 50 million copies in circulation, and is celebrated for its creativity and well-executed, often gruesome art. The dark fantasy series’ creator, Kentaro Miura, studied various ink drawing techniques and has a tremendous ability to create sharp, clear, and highly fluid fight scenes, as well as a rich shading technique to give a surreal feeling. The manga was adapted into various anime and films.
(thirty-eight volumes) that shows Takahashi’s talent and importance in the industry. Both the manga and anime came to America early in the transition of manga to a global market, so the series is beloved internationally. This comedy tells the story of a young martial artist who turns into a girl when splashed with cold water, and back into a boy when splashed with hot water, and the many surreal situations this leads to.
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Is a moving piece of art, with a setting that mixes intense beauty with gritty aesthetics. Its illustrator, Takehiko Inoue, is an important mangaka, most famous for
Are you familiar with these manga artists? Who are your favorites? If you want to learn more about the form and try it out for yourself, check out our manga courses. You’ll learn to draw expressive characters, delve into styles such as kawaii art, and create engaging comics from scratch.
By clicking Sign up I am confirming I am 16 or older and I accept the Terms of use, the Privacy Policy, the Cookies Policy, and agree to receive news and promotions.means comics, as in drawings with speech balloons, it doesn't matter if the comics are Japanese, Korean, American, etc. In English, manga refers only to Japanese comics or artwork in the manga style. The word is also spelled
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A Japanese manga is read from right to left, which is the opposite direction from how a western comic is read. It's basically read backwards, except that you still read the page from top to bottom.
Unlike comics in English, comics in Japanese have the text in the speech balloons written vertically, such that the first letter is at the top-right, and the line wraps at the bottom-right.
One great difference between comics and manga is how sound effects work, because this is a difference that's very hard to translate.
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In English, sound effects, or sfx, are always onomatopoeia, words that represent sounds. For example, if Batman punches a dude, *pow, * that's a sound effect for the strike.
In Japanese, also include other mimetic words. The phonomimes (onomatopoeia) represent sounds, the phonomimes represent physical states or motion, and the psychomimes represent emotions.
But as a sound effect you may find their simplex forms, like just one kira, or just one waku written on the background. For example:
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Some translations simply give up trying to translate these sound effects to English. Also, because there are more onomatopoeia in Japanese than in English, it isn't unusual for the meaning of the sound effect to be included as a note on the edge of the panel instead.
The greatest difference between comics and manga is the ruby text, also known as the furigana ふりがな. This is the one thing that it's impossible to translate because there's no such thing in English.
Allow me to explain: in Japanese, words are written with characters that can be read in multiple ways depending on the word the character is part of. For example:
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